Italy and Germany in the Late Seventeenth Century 1. (384) How did Italy and Germany differ from other countries? So what? 2. What were the various influences? 3. (385) Where did most of the major developments in Italy take place? 4. (386) Where are the major centers of opera? Who are the composers? 5. What attracted audiences the most? 6. How.
By transforming the Vordersatz, the Fortspinnung, and the Epilog from discrete sets of motives into harmonic functions clothed in thematic identi-ties, we can clarify not only the scope of Bach's ritornello procedures but also identify the conceptual core of the concerto genre. It is an accepted truism the Bach's concertos were influenced by those.
Continuous Exposition and Tonal Structure in Three Late Haydn Works 175 III or a prolongation of 3.4 It is this closed tonal progression that often constitutes the first thematic idea of the second group.5 Schenker's theory offers a structural basis for dividing the ex-position into first and second groups, the crucial aspect of this.
Communications Regarding Erich Schwandt's review of my New Essays in Performance Practice Review (Spring 1991) my first impulse was to ignore it, but I finally decided to write a brief answer, because, among a number of irrelevant, and outright false statements he did score one point in singling out a careless sentence of mine. He made this.
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As Schayegh and Habulek mention in their shared booklet essay guiding the listener through the Violin Sonatas (and through the 12 represented keys which are also reflected in the set’s graphic design), they have added two movements from the earlier version of the final Sonata, BWV 1019a as a kind of cheerful and delightful encore.
Heard playing a splendid copy of a 1738 Christian Vater harpsichord on this Federico Prieto-engineered recording, Ignacio Prego illustrates perfectly the points put forward in scholar David Schulenberg’s essay for the booklet, in which particular emphasis is placed on Bach’s threefold “cycling” of the 30 variations, each time combining.
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Changing Cartograhies. cartograms aided by computer visualization. During this time, cartograms were apparently biased as Muehrcke (1974 14) observed that cartographers had “strongly emphasised the visible, the tangible, the static, the physical and the historical values over the invisible, intangible, dynamic, human and futurist aspects of the world”.